ALISON SAMPSON

For Brian Bendis, Stephen Byrne and Dark Horse, with Daniel Chabon editing.

For James Tynion IV and Josh Hixson’s terrifying and disturbing Murder Santa book.

For Fernando Blanco and James Tynion IV’s techno- horror book at Image Comics

For Joanne Starer and Khary Randolph’s fantastic New York set fantasy book from Boom! Studios.

For Sara Cho and Priscilla Petraites’s mature-rated book for AWA.

For Becky Cloonan and Tula Lotay’s sexy- mediaeval times book for DSTLRY

For Lonnie Nadler and Jenna Cha’s book from Uncivilised Books.

‘the power of junji ito’ - Kieron Gillen

A promotional postcard for the launch of Jendia Gammon’s lunarpunk YA novel.

For the prose novel by Cullen Bunn, published by TKO.

For Oliver Mertz and Alex Diotto’s book set in the 1990s DC punk rock scene.

Cover for the Cassandra Jones - edited anthology crowdfunded via Zoop. Women doing bad things and liking it.

https://www.bostonglobe.com/2023/10/17/arts/new-comic-anthology-let-her-be-evil-celebrates-unredeemable-female-villain-all-her-unrepentant-glory/

aka Science Cow.

For Zach Thompson and Valeria Burzo’s book at Boom! Studios

TBA

For Simon Birks’ and Willi Robson’s sci-fi thriller from Top Cow

For issue 4 of the acclaimed comic series from Image Comics, drawn by Casper Wjingaard and written by Alex Paknadel.

After Rousseau.

TBA. 3 Variants.

A story for the new Little Earthquakes anthology from Z2, written, drawn, colored and lettered by me, based on the song “The Pool”.

The pages are twelve inches square at print size and the Little Earthquakes book is published by Simon and Schuster and includes stories by Neil Gaiman, Margaret Atwood and many others, as well as this. Available in shops and directly from Z2 from November 2022.

Ask me to write and draw you a short story. I enjoyed doing this and would like to do some more.

In conjunction with X2 and Halestorm.

A vertical comic for The Marvel Voices line edited by Sarah Brunstad, written by Owl Golightly and colored by Triona Farrell. A fully lettered version is available on the Marvel Unlimited app, or here.

Wild Fiction: The Bloop, for Tiny Onion Studios.

A cryptid that only exists as a soundform, recorded at The Listening Ear, Kilnsea, East Yorkshire.

Commissioned by and available from the Family Store in conjunction with their sponsorship of the Thought Bubble Comic Festival in Leeds, UK, in a variety of colour options. This tee will be worn by the volunteers for the show in the red colour combination.

A cover for Briar #1 for Boom! Studios, commissioned by Allyson Gronowitz.

A bucket list cover for me, a variant for the multi-award-winning series from DC Comic by Álvaro Martínez Bueno and James Tynion !V. This is solicited for issue #10. A big thank you for Chris Conroy and Marquis Draper for making it possible.

Upcoming cover for a horror comic from Boom! Studios

Upcoming cover for the horror anthology from London’s Wild River Comics.

For the much-loved comic series drawn by Elsa Charettier and written by Tom King. Originally published on Substack, Love Everlasting is now published by Image Comics in print form. This cover is a variant for issue 2.

A painted cover- The Queen of Clubs from my House Cards series of covers- based on Klimt’s painting of Adele Bloch- Bauer (aka The Woman in Gold) for the acclaimed Image Comics series, written by Chrissy Williams and drawn by Lauren Knight with colors by Sofie Dodgson.

A reversible print- One Way or Another- for the launch of the Blondie graphic novel by Z2 Comics.

An official cover for the comic series based on the Award -winning game, published by Titan Comics as the A cover to issue 2 of Cullen Bunn’s Lady of The Lanterns arc.

A reversible cover for the new graphic novel from Halestorm and Z2, Hyde Manor, featuring Lzzy Hale and her alter ego, Mz Hyde, and illustrating the duality of the character.

The idea was intended to provide the group with more than one image to use, but it has also gone on to be used further in the band’s promotion and branding (there’s also a pack of cards) and more.

The book can be ordered direct from Z2 by clicking here

Written by James Tynion IV, colored by Jordie Bellaire, lettered by Aditya Bidikar and edited by Steve Foxe.

24 pages of pencils and inks.

Published in February 2022 by Image Comics as a guest issue in the creator-owned comic series ‘The Department of Truth’, normally drawn and coloured by Martin Simmonds.

This is a selection of pages (page 1 is the second image) in roughly chronological order, but not as a direct sequence, showing colors and pencils side by side. Jordie and I are keen to work together again, and are (subject to Jordie’s availability) available as a team.

We both enjoyed making this very much, and you can see here what Jordie brought to the lines and layers of patterns that were offered.

A note: I was diagnosed with cancer soon after I started drawing this in December 2021, commenced it whilst starting treatment and finished the lines a couple of days prior to my first surgery in mid January 2022. At the time of writing this in late March, 2022, I’m coming back to productivity. This was a comic made under extraordinary circumstances, and I appreciated the opportunity to push the bounds of what was possible. A real dream team comic.

Thank you to Martin and The Department of Truth team for being supportive through a busy time and for having me on board.

A cover for Issue 16, written by James Tynion IV, drawn by me, in shops February 2022.

The second half of our adaptation of the Owen and Stephen King novel of the same name, for IDW Publishing, adapted by Rio Youers, drawn by me and coloured by Triona Farrell.

Complete at Dec 2021, to be published as a collection mid 2022.

A variant cover for JH Williams III book Echolands, for issue 2, and and accompanying alternative ‘raw cut’ cover, both available from Image Comics.

Complete and in shops from April 20121

The comic adaptation of Stephen and Owen King’s mammoth best-selling novel, in ten sequential issues for IDW Publishing.

Script: Rio Youers

Art: Alison Sampson

Colors: Triona Farrell

Editor: Elizabeth Brei.

We made a video for the Thought Bubble fringe about how the novel has been adapted and you can see it here

A GN set in Mumbai, Four issues of comics for Mark Millar. More samples or a full pdf available on request.

Original art soon to be available from Cadence Comic Art.

Line art sequentials by me, color by Triona Farrell, written by Peter Milligan, edited by Rachael Fulton, published by Image Comics in Feb 2020.

Cover for the arc of Hit Girl drawn by me: Hit Girl: India. Set in Mumbai and otherwise known as Hit Girl: No Mans Land, our story was written by Peter Milligan, colored by Triona Farrell and edited by Rachael Fulton.

Unusually for an Image Comic, as well as being owned by Mark Millar and John Romita jr, our series was made very largely in the UK and Ireland. Hit Girl: India could not have been made without the huge contribution from a wide group of friends of sometimes but not always Indian (and Nepalese, Scottish, Pakistani, Bengali, Polish, Trinidadian, Lithuanian, Mauritian, Irish (and more)) descent who are depicted throughout the book, sometimes as themselves. We wanted to show Mumbai as it is, not as readers might think it is, helped by people who have lived there. So a city of people going places, chaotic, often crowded, maximal, busy, but also beautiful and full of possibility, so much of everything and everyone, everywhere and all of the time. So many stories. Throw Hit Girl in the mix and there could only be trouble.

My cover (with color by Triona Farrell) shows Mindy surfing the chaos, on a Mumbai trishaw.

Hit Girl is in shops on 16 October 2019, and #2 (this cover) follows on 13 November.

Colour and line art for a cover for the Buffy: Chosen ones anthology, for Boom! Studios, a new York Comic-Con exclusive. Final color is by Dave McCaig, editor was Jonathan Manning with Jeanine Schaefer and Gavin Gronenthal.

Inspired by my love of mediaeval art and Tin Can Forest.

A digital art commission from Netflix, to help promote the film Bird Box. The question was: “what are you most afraid of”.

It is a surprisingly difficult commission as answering the question means revealing a personal truth and probably a weakness of oneself.. I realise we didn’t need to be truthful, but I thought it would be more communicative if it was. I thought of House of Leaves, and put myself there. Being lost in that house, and never being able to find the way out of the dark. HOL remains a terrifying novel, if anyone wants to do a graphic adaptation (not sure if the original can be improved on- but still)- please ask me.

A commission from the Hayward Gallery, to illustrate the essay in the exhibition catalogue, to the major mid-career retrospective of the South Korean artist Lee Bul.

Due to budget constraints, I proposed a way of illustrating the piece, which made the clients funds go as far as possible, whilst allowing there to be a parallel thread of continuity with the essay. Lee Bul has such a wide breadth of work styles I thought it was important to take my voice from the art, so that the focus remained with her story. I used a range of found materials, from my own arm to a hand drawn map Lee Bul had made when she was younger, to family photographs, to newspaper cuttings, to glass beads, a rubbing of the gallery wall and so on. These became a landscape upon which we could sow the narrative.

Working in close coordination with the curators, and Lee Bul, the brief was developed, discussed and signed off, then we had a series of approvals. The Herron estate was kind enough to allow the original scans of Ron Herron’s Walking City to be used, so I could add Lee Bul dancing across them as part of her art. I added in the portrait to round out the piece, and to close the essay.

It was an honour and a major lifetime experience to be invited to complete this commission, to meet Lee Bul, a truly progressive artist and role model, and to explore the space between commercial and fine art. I’m grateful to the Hayward Gallery for asking me, and I think everyone was pleased how it turned out.

A double cover for Ram V and Sumit Kumar’s exciting Vampires-in-India series for Vault Comics, this time colored by myself.

The European vampires go to India and meet the local monsters. The cover shows the foreign ship sailing up into our protagonist’s hair, as it goes from being the sea to forest- and she has her own stuff going on.

A digital commission for BBC Radio 4, to go with the eponymous original radio.

Art, colour and graphics by me, with a short turnaround, a submission of layered art, and a range of social media options.

A digital commission for BBC Radio 4, to go with the radio play The Unquenchable Thirst Of Dracula by Mark Gatiss.

Art, colour and graphics by me, with a short turnaround, and a submission of layered art (for example, lowest image was made and submitted as a complete background, even when it was invisible in the final form).

A digital poster commission for BBC Radio 4.

Art, colour and graphics by me, with a 24hr turnaround, and a submission of layered art in various formats.

Comic interiors: unlettered pages 14 & 15 (carnival), 76 & 77 (going to the ritual), 58 & 59 (the Winnebago Graveyard), 35, 36, 38, 39, 40, 41, 42 & 43 (night escape), 64, 65, 66, 67, 68, 69 & 70 (body horror), 04 & 05 (speeding cars, more vehicle pages from recent issue to be added post publication).

Publisher: Image Comics

Writer: Steve Niles

Pencils and Inks: Alison Sampson

Color Art: Stephane Paitreau

Letters: Aditya Bidikar

Project running, Design, Production and Marketing: Alison Sampson

Description: Creator-owned mini-series/ graphic novel,

English Language, 128 Pages, Teen+, Full Color, A horror/ adventure ensemble book, with a mixed race family, set in Southern California, possibly in the mid-1970s, with kids, cowboy boots, lots of denim and lots of vehicles, fire and gore, dodgy landladies, gorgeous timber houses, quiet moments, human sacrifice and of course, satanists.

The GN ashcan, or further samples, can be emailed on request.

ISBN-10: 1534303421

ISBN-13: 978-1534303423

Diamond ID: MAR178456

Publisher Site

Get it digitally

Get it on Amazon (US)

Get it on Amazon (UK)

Wrap covers colored by Jordie Bellaire

Logo and graphic design by Alison Sampson

Covers for issues 3, 4, 2 and 1 respectively, followed by two variant covers for issue 1. The last cover is the 'British variant' only available from UK shops.

A short story about Beth Ditto for the Femme Magnifique anthology, edited by Shelly Bond and HiFi Color

Writer: Leah Moore

Pencils and Inks: Alison Sampson

Colors (not included here) by Irma Kniivila

Description: Painted wall art for Bleecker

Initial installation at 205 Victoria St, Westminster, London SW1E 5NE

Client: Zan Kaufman

Architect: Cristina Lanz Azcarate

Installation: Robin Simpson of RobinSigns

Bleecker make and sell gourmet burgers. This art was originally made for their first sit-down restaurant in Victoria, and includes the company history, likenesses of founding staff, London locations, and the companies distinctive black and white street-style aesthetic.

The second design was adapted from the first to provide a larger installation and a format that could be licensed for a wider variety of uses.

Installation photo by Zan Kaufman "Feeling very proud of our Victoria wall painting from @alis_samp

For Marvel Comics

Writer: Chelsea Cain

Colorist Jordie Bellaire

Editor: Wil Moss

A print for sale, commissioned by Out of Step Arts.

Design and Ink by Alison Sampson

Blue version colored by Alison Sampson

Pink version colored by Rico Renzi

A comic about a woman whose beard gives her superpowers, first 7 pages

Writer: Fred Van Lente

Pencils and Inks: Alison Sampson

Color Art: Jason Wordie

Promo poster commissioned by Image Comics and sent out to selected comic shops,

Endorsement poster,

Web Content

A map for storytelling on the interior pages of The Wicked + the Divine comic (Image Comics). Based roughly on the layout at Excel London, where the story is set, but redesigned for purpose, and fitted for the London Fantheon.

The kind of thing you might find in a real convention brochure, but with more puns. Concept, art, design, color and text by me with client-side advice interjections from Kieron Gillen and Chrissy Williams.

Commissioned by Shelly Bond and Ellie Pyle for DC/ Vertigo’s Mad Max Fury Road Art Book.

We had very little reference as the work was done before the film was shown. However, based on the fact that the reference provided was of multiple *actresses*, I took a guess that the film was about female friendship and ecology- and it turns out that it was. Lines and color by me.

A cover for the creator-owned graphic novel from Image Comics, drawn and designed by me and written by Natahn Edmondson (Black Widow, Who is jake Ellis). Colored by Joseph Bergin III (Prophet)

A digital commission from BBC Radio 4, for National Poetry day. Concept, design, lines, colour and graphics, an approvals process, a submission of layered images and final adaptation in for various forms of social media. The BBC went on to use the work in a ‘nose to tail’ way, animating the layers coming teogether, using it for tickets for the live performance, in various aspects for the website design, and finally, as a giant back drop for the live performance. I really enjoyed this. The BBC is a wonderful client.

A commission from the Guardian newspaper, with about twenty four hours between commission and print, including approvals. For the full width of the broadsheet media section cover, to illustrate a keynote essay by Zadie Smith on JG Ballard’s novel, Crash.

Given the public nature of the printed form (it will be seen by families) and the nature of Ballard’s work, I opted for a soft classical form for the nude falling out of the car. Developed in conjunction with the color and layout of the (evolving) front page graphic.

I am open to further editorial illustration commissions and, as a designer, am interested in the challenges, as faced by this commission- pitching and developing designs as part of a telephone conversation, staying in touch, working with adjacent bold graphics and meeting short deadlines.

For the acclaimed series by Ben Read and Chris Wildgoose, Published in the UK by Improper Press, and in France by Delcourt